The category ‘Thoughts on photography’

10 signs you got GAS (Gear Acquisition Syndrome)

For us with this kind of condition I’ve put together a list of 10 signs you got GAS (Gear Acquisition Syndrome). This particular variant, CameraGAS, is a condition which some of us interested in old cameras develop ;)

  • You have more cameras and lenses then you can use, but can’t help yourself placing a bid on that fantastic lens 50mm/1.4 lens from your favorite maker.
  • You are a member of forum.mflenses.com, forum.manualfocus.org, www.yashicaforum.com, www.rangefinderforum.com, www.pentaxforums.com, and all the right Flickr-groups.
  • You have great trouble every day choosing which cameras and lenses to take with you outside.
  • You buy a lens not because you need it, but because you want to “save” it from being unsold or a worse faith.
  • The main argument when you buy a DSLR is “Which adapter can I put on this thing?”
  • You buy two copies of a camera or lens, one in great condition and one for spare parts…. or two in great condition.
  • You have more then 5 normal primes (50mm-lenses).
  • A lot of items on your christmas wishlist is links to ebay auctions.
  • You’re thinking about investing of a large toolkit for repairs on cameras and lenses.
  • You run several websites about old cameras and lenses… hmmm

Maybe a list like mine is signs you got small GAS-condition? ;)

Shoppingwindow Leica

Shoppingwindow Leica

Some links for you, to support your GAS:

Camera Junkie (Gear Acquisition Syndrome) @ Flickr
Camera Junkie (Gear Acquisition Syndrome) @ Ipernity

5 reasons I love manual lenses

I use manual lenses on my digital camera and love it, and I want to share with you the reasons for this. Manual in this case means manual focusing and aperture. My lenses are old, made between the 60′s and the 90′s. Here are my reasons:

  • Full control
    • The AF-troubles

      I always had trouble using autofocus, I often missed and lost images due to unfriendly auto-focuses. Could be I just had crappy AF-lenses, but to get a good one I would need to spend a ridiculous amount of money on something I probably won’t use.

    • Slim or fat lenses?

      The autofocus also need space in the lens, making them bigger. If you try an old manual lens for the first time you might be surprised how slim they can be.

    • Manual aperture

      Most of the lenses have manual aperture, but that doesn’t make much difference to me. I used to set aperture with a button, now I do it with a ring. I use M or AV-mode on the camera.

    Yashica ML 50mm/2

    Yashica ML 50mm/2

  • Price

    Non-AF lenses sells for next to nothing, even if they are good. Some of my best lenses was purchased for $10. Some lenses can cost more, that is usually makers that are still in business (and well known) or those that have some cult value like some of the russian lenses. Zeiss and Leica also cost a lot. With Zeiss you can try to get one marked “aus Jena”, this was made in the east for the export market and not allowed to use the “Carl Zeiss” name so they just labelled it “aus Jena”.

    A few bucks

    A few bucks

  • Build quality

    No modern lens I have tried can match the feeling of the metal and glass in a an old Asahi-lens, turning the focusing ring feels like an expensive precision tool. The same goes for some of my Yashica/Yashinon lenses. This is of course only true for some makers and models. You need to know how to choose the right lens (or ask for help on forums). And, it almost goes without saying, you need one that has been well preserved and taken care of.

  • Bokeh

    I feel many old quality lenses have very good bokeh. Two of my favourite lenses are very sharp but also have amazing bokeh and colours. Yet they are single coated.

    “But hey, single coated lenses are crap I’ve been told”

    No they are not, it’s a silly assumption that can be sorted under the next point on my list – the “newer is better myth”.

    Bumblebee with bokeh

    Bumblebee with bokeh

  • The myth, “newer is better”

    As I said, some of my favourite lenses are not multi coated. I have to admit I’m a bit satisfied that I’ve seen through the myth that “newer is always better“. Now hear this: Of all my favourite photographers, none of them used the latest camera of today… so why should I need to?

    The term “better” is subjective, my preferred properties might not be yours. The lensmakers might be trying to build lenses without the properties I like. On top of that, some new expensive lenses have the same optical formula as they did in the 60′s and 70′s! :)

    It is not the camera that makes the photographer, the camera is only a tool that can help. I’ve seen some people suggesting professionals needed to buy the absolutely latest just to show how professional they are (this was in a discussion on Nikon Dx3). That was one of the most stupid things I ever read! the professional photographer would get most value to his company and make great IMAGES. Not show other photographers who big his ***** … oh, sorry camera/lens is.

    The herd will pay for anything new

    The herd will pay for anything new

    Image from WikiMedia Commons by 3268zauber, CC-license

    But here’s a slight problem. I don’t like The myth, but it’s what’s keeping prices down. Since I started with old lenses, prices has been rising. Worrying. Indeed.

Disclaimer: Some old lenses are simply crap, precisely like some new lenses.

Here you can find a list of manual lenses I use and like. If you want to read other sites there is a lot of goodies under the links-page.



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